De moda en tela monograma Multicolore disenados por Takashi Murakami, esta Cartera tiene un cierre de botón de presión,Louis Vuitton Online. Es ideal para la realización de tarjetas, facturas, recibos, así como monedas en un bolsillo con cremallera.
7.5 x 3.9
- Monogram Multicolore lienzo,Louis Vuitton handbag, forro de cuero de grano, piezas de latón dorado
- Presione el cierre de estudios
- Diez ranuras de tarjetas de crédito (cuatro en el frontal, seis en el interior)
- Un bolsillo grande para las facturas y recibos
- Dos grandes compartimentos para billetes y documentos
- Un compartimento con cremallera para las monedas
Referencia:M60273
It’s been a full month since all of the fashion week festivities started, and they’ve finally come to an end. Showing at the very end of the cycle can either be a blessing or a curse; if what you’ve put together is merely mediocre (or worse, if it’s flat-out bad), critics and buyers are more likely to look harshly on it because of our fatigue at four weeks worth of clothes and accessories. If the collection you’re presenting is as good as beautifully fetishistic Louis Vuitton Fall 2011, though, then you get the glorious distinction of closing out the season on a high note and having your clothes by foremost in the minds of editors.
Vuitton is not a handbag company that I normally look to for my own purchases because of my personal preference toward bags without logos, but its fall accessory offerings were easily some of the best of the entire season. The central idea of the handbag collection was a theme and variations starring the brand’s ever-popular Lockit shape, much like the Speedy iterations that we saw from Vuitton for Fall 2010. It’s an idea that worked well then and works well now, with the disciplined lines of the Lockit lending themselves seamlessly to the upscale kink of the Vuitton ready-to-wear. Let’s not talk about the fuzzy bags and pretend those never happened, ok? Everything else was too good of a distraction,Louis Vuitton purses.
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